On 31st March 2012 HOC Sound System will be proudly providing DJ kit for the 1st Official Derby All Night Skate for 2012. Here’s some info about the event from Rollerworld Derby:
“Happy new year everyone, we hope you have had a great festive period. We are happy to announce the date for the “1st Official Derby All Night Skate for 2012”
On Saturday 31st March. Starts at 10 pm and finishes at 6am. If you want top come and skate the earlier 7 – 10pm session, all night skate ticket holders can join in the early session for an extra £1.
DJ’s Luke Skywalker and Andy Baines will take you through the early hours till 6am.
Contact games, Football and The legendary Barrel Jumping competition will be in place as usual.
Members £7, Advance £9 and on the day £10. Skate Hire £2 and lockers behind Skate Hire £1.“
The Last Derby All Night Skate of 2011
Saturday 8th October 2011 10pm – 6am
Admission £6 Members, £7 Non Members, £8 On the Day. Skate Hire £2, Lockers £1 (Behind Skate Hire)
Calling all you hardcore skaters. This is the final installment of all night skates for 2011. We pride ourselves on providing the best entertainment for mixed skaters alike. Whether its your old skool skating vibes, new skool, or you want to take part in our exclusive contact games or barrel jumping competition, we have it all under one roof for one night and you don’t want to miss this one for love nor money. Resident DJ’s Luke Skywalker and Andy Baines will be rockin rollin you on the 1’s & 2’s till sunrise.
HOC Sound System will be at the Nottingham Roller Disco at the Marcus Garvey Ballroom Lenton Boulevard, Nottingham NG7 2BY United Kingdom on Saturday 17th September.
We will be starting at 4pm and going on til the early hours. Yes there will be a bar. Hire skates will be available.
The Garvey is a legendary Nottingham venue and has a REAL WOOD floor. It has a large floodlit/cameras car park. It is also very easy to get to being just off the main road into Nottingham.
we will be running the following 3 sessions.
1. in association with Take 1 studios. SKATE 1. family skate session (soft drinks only,food on sale) under 18′ & families entry £3.50 skates£1.00/£1.50
2. SK8SHAKK. Dress up and get down to retro disco,cheese and rollergirl anthems. Dj Chopper ( Trent army, Detonate) spinning the tunes ( full bar) 18+ tickets £8.00 more on the door ( if available )
3 Oldskool allnighter playing all the tunes from back in the day MC on the mic the legendary TommySly Thomas, Luke penning (MK rollers, Derby allnighter) plus DJ IPAD & guests (full bar )18+ tickets £6.00 on the door £12
If you are travelling up for the event please contact us to get your group discount and guaranteed entry.
HOC Sound System and DJ PsyTek will be helping to put on Headstock Festival at the Urban Dekay & Desert Storm Dance Tent in Newstead, Nottinghamshire in the UK this coming weekend.
This was part of the BBC’s Village SOS in an attempt to revitalise Newstead Village.
Hope to see you all there.
Well I know I’ve not been writing much here in recent weeks but that’s because I’ve been busy writing and producing at the “hands on recordings” studio here in Nottingham, and now I have two new tracks for licensing.
The first track is called “Hope” written by me John Davies (PsyTek) and it’s mainly an instrumental soundtrack or soundscape that has a haunting piano running through the track with string sections that build up to create an emotional crescendo, while modern beats bring it bang up to date. I think it would be perfect for film, TV or indeed any corporate situation.
The second track is called “Save The World” Written and sung by Del St Joseph who has had a long successful history in the music industry with several hits under his belt. One of which being, “Please Don’t Go,” by K.W.S, (UK number 1 for 6 weeks, number 4 US Billboard Chart 1990/1). It’s produced by me John Davies (PsyTek) founder of hands on recordings and the session keys were done by Will Joss. The track is a pop track for either a male or female, young or old that wants to take advantage of this emotional love song. It starts with a plucked string section that is repeated through each verse then POW! a big trance like anthem synth takes you through the chorus emphasizing the emotion sung by the singer. Del pitched it to me as a track he’s always wanted to write.
Well I hope you enjoy the tracks and if anyone is interested please don’t hesitate to get in contact.
I often get asked this very question as I am now an avid CD DJ. As an ex vinyl DJ of 12 years I can say that vinyl is still relevant as it does have a larger dynamic range in comparison to digital formats like CD and I have many “vinyl only” DJ friends who will fight for the cause and won’t have it any other way. However, the sound engineer in me knows that every time a vinyl is played the recording is damaged so over time you end up with a noisy mess of distortion that once was an amazing tune whether they’re dubplates or standard vinyl. This was one of the many reasons why I changed over to CD DJing and to be honest I’ve never looked back. Now apart from the fact that the recording will always stay the same, and it’s small and convenient, I also get to play live all of the tunes I’ve made to see how people react. Now that in itself is an amazing thing, well at least to me. Plus as a sound engineer I boost the recordings and re-copy them back to CD in my studio with software like the “Waves L2 Ultramaximizer” which makes a huge difference, believe me the tunes sound larger than life when this is done. This process also helps when you’re converting mp3’s to CD audio as mp3’s are a compressed data form of the original and you basically lose a large chuck of the original track to which this process can often disguise.
The Pioneer CDJ-1000 CD DJ Decks that I use are worth mentioning too, they enable you to do so much more than you ever could with vinyl decks. For example you can make it so that you can speed up or slow down a tune like you can with vinyl decks but this time without the change in pitch. Now apart from the obvious advantage of this it also means that the little nudges a DJ will do to keep a track in time are now disguised, you don’t get the sudden change in pitch going up and then suddenly down again, especially when you put the decks into “CDJ mode” not “vinyl mode.” Vinyl mode makes the decks behave like a record deck but you still have the option of turning the “change in pitch” on or off. While CDJ mode makes them behave more like CD decks but when you speed the CD up or slow it down with your hand you can be as rough as you like and the track won’t skip. I often start a track off in vinyl mode (simply because I can’t resist doing the backwards and forwards motion you do with vinyl to get the track to start at the same time as the other track you’re trying to mix into) and then change over to CDJ mode so I can be as rough as I like and just concentrate on getting into the groove! Now I can’t finish off talking about these wonderful decks without saying something about the tempo change range. On Technics 1200 vinyl decks the tempo change range is + or – 8% of the original tempo of the track. While on the CDJ 1000’s the tempo change range has 4 range modes: + or – : 6, 10, 16 and then what Pioneer calls “WIDE” which is basically + or – 100%. This means that you can literally mix any track into any other track you like. This is something I had always dreamed of as a vinyl DJ but never had the chance until I made the change to CD’s.