HOC Sound System will be providing their full 7K Watt PA for the free Medieval Family Fun Weekend on 21st -22nd April. 11.00am-3.30pm.
Ye Olde Trip To Jerusalem in association with Nottingham Medieval Banquets will be transforming the grounds of the neighbouring Brewhouse Yard Museum into a Medieval Village to celebrate St George’s Weekend.
Meet Robin Hood and his Merry Men, the evil Sheriff of Nottingham, join in Jesters School and much more……… Read more , click here for Ye Olde Trip to Jerusalem website.
On 31st March 2012 HOC Sound System will be proudly providing DJ kit for the 1st Official Derby All Night Skate for 2012. Here’s some info about the event from Rollerworld Derby:
“Happy new year everyone, we hope you have had a great festive period. We are happy to announce the date for the “1st Official Derby All Night Skate for 2012”
On Saturday 31st March. Starts at 10 pm and finishes at 6am. If you want top come and skate the earlier 7 – 10pm session, all night skate ticket holders can join in the early session for an extra £1.
DJ’s Luke Skywalker and Andy Baines will take you through the early hours till 6am.
Contact games, Football and The legendary Barrel Jumping competition will be in place as usual.
Members £7, Advance £9 and on the day £10. Skate Hire £2 and lockers behind Skate Hire £1.“
HOC Sound System and DJ PsyTek will be helping to put on Headstock Festival at the Urban Dekay & Desert Storm Dance Tent in Newstead, Nottinghamshire in the UK this coming weekend.
This was part of the BBC’s Village SOS in an attempt to revitalise Newstead Village.
Hope to see you all there.
On Friday 4th February 2011 HOC Sound System put their 7KWatt Logic System PA into the Osborne Suite of the Albert Hall Nottingham. The system was hired for a live band that was backing for a female vocalist. This was the full 6 speaker system into a 250 to 350 capacity venue. Needles to say the Chevin Research amplifiers were not turned up anywhere near their maximum as this was a posh affair full of Law folk and such and we didn’t want to scare anyone.
I often get asked this very question as I am now an avid CD DJ. As an ex vinyl DJ of 12 years I can say that vinyl is still relevant as it does have a larger dynamic range in comparison to digital formats like CD and I have many “vinyl only” DJ friends who will fight for the cause and won’t have it any other way. However, the sound engineer in me knows that every time a vinyl is played the recording is damaged so over time you end up with a noisy mess of distortion that once was an amazing tune whether they’re dubplates or standard vinyl. This was one of the many reasons why I changed over to CD DJing and to be honest I’ve never looked back. Now apart from the fact that the recording will always stay the same, and it’s small and convenient, I also get to play live all of the tunes I’ve made to see how people react. Now that in itself is an amazing thing, well at least to me. Plus as a sound engineer I boost the recordings and re-copy them back to CD in my studio with software like the “Waves L2 Ultramaximizer” which makes a huge difference, believe me the tunes sound larger than life when this is done. This process also helps when you’re converting mp3’s to CD audio as mp3’s are a compressed data form of the original and you basically lose a large chuck of the original track to which this process can often disguise.
The Pioneer CDJ-1000 CD DJ Decks that I use are worth mentioning too, they enable you to do so much more than you ever could with vinyl decks. For example you can make it so that you can speed up or slow down a tune like you can with vinyl decks but this time without the change in pitch. Now apart from the obvious advantage of this it also means that the little nudges a DJ will do to keep a track in time are now disguised, you don’t get the sudden change in pitch going up and then suddenly down again, especially when you put the decks into “CDJ mode” not “vinyl mode.” Vinyl mode makes the decks behave like a record deck but you still have the option of turning the “change in pitch” on or off. While CDJ mode makes them behave more like CD decks but when you speed the CD up or slow it down with your hand you can be as rough as you like and the track won’t skip. I often start a track off in vinyl mode (simply because I can’t resist doing the backwards and forwards motion you do with vinyl to get the track to start at the same time as the other track you’re trying to mix into) and then change over to CDJ mode so I can be as rough as I like and just concentrate on getting into the groove! Now I can’t finish off talking about these wonderful decks without saying something about the tempo change range. On Technics 1200 vinyl decks the tempo change range is + or – 8% of the original tempo of the track. While on the CDJ 1000’s the tempo change range has 4 range modes: + or – : 6, 10, 16 and then what Pioneer calls “WIDE” which is basically + or – 100%. This means that you can literally mix any track into any other track you like. This is something I had always dreamed of as a vinyl DJ but never had the chance until I made the change to CD’s.
Often I get asked about whether I do PA hire for the more unusual entertainment events for example VelevtTripp from deliciouslydeviant recently asked me:
“Hi. I’ve been at one of your gigs. It was a great night! Can I ask if you cater for Goth and fetish events? How big a crowd can you play to?
Well in fact I have already done a good few fetish and Goth events like,
Kat Starr is Flourish Records hottest singer/song writer to date. This girl has true talent and believe me she is going places. Listen out for her on BBC Radio Nottingham on the run up to Christmas. However, if you simply can’t wait that long to get a taste of her truly talented music you can listen to some of her examples here and a remix done by me “PsyTek” can be found here.
Kat Starr was born and raised in Warrington and began to learn classical piano at the age of eight. She later went on to study Music at the British Academy of New Music in London.
Since then Kat’s musical journey has seen her play in front of Prince Edward as part of her extensive range of live performances.
Strongly influenced by Joni Mitchell, Kat had developed a personal style of writing, which draws together striking melodies and fantastically crafted piano movements.
Blended with the soulful rhythms of her band, Tincture, her songs and performances stir audiences with an intoxicating musical cocktail.
Please watch this space for release dates of the first releases of Kat Starr. We love her music and we hope you will too! Peace